Read Chapter 8
- Set up main light for Rembrandt or short lighting, using a small soft box
- Set up an umbrella fill
- Set up kicker(s), with grid spots, or barn doors to minimize flare
- Set up hair light, with grid spots, or barn doors to minimize flare
- Set up background light. Use black or gray seamless.
Shoot reference shots sequentially, so there is a record of how the setup is built, recording each addition of a new light. Make sure the exposures and respective intensities of the lights are balanced appropriately.
Shoot the following Lighting Ratios:
Key/Fill
1:1 Key light and fill light same intensity
1:2 Fill light one stop lower than key light
1:4 Fill light two stops lower than key light
1:8 Fill light 3 stops lower than key light
1:16 Fill light 4 stops lower than key light, or off
Kickers, Hair lights and Background lights need to be at a useful intensity. Try not to blow out detail too much, or create distractions. Also, use grids/barn doors to minimize flare and spill.
1:2 Fill light one stop lower than key light
1:4 Fill light two stops lower than key light
1:8 Fill light 3 stops lower than key light
1:16 Fill light 4 stops lower than key light, or off
Kickers, Hair lights and Background lights need to be at a useful intensity. Try not to blow out detail too much, or create distractions. Also, use grids/barn doors to minimize flare and spill.
For starters:
- Set kicker to match f-stop of key and then adjust for ratio of 1:2, or 1:4
- Set hair light to match f-stop of key and then adjust for ratio of 1:2, or 1:4
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